This product · follows your selection above
A lip outline becomes a more useful exercise when it follows a raised shape. This 3D silicone lip model brings the lip contour, volume and surrounding area into one practice surface. Choose it when your next task is placement around the curves: outline planning, symmetry and short sections of colour placement.
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YOUR WORKING SETUP
Pair your selected practice surface with fine and grouped-line cartridges, brow and lip colours and pigment rings. Choose the supplies your exercise needs; use your existing machine.
This product · follows your selection above
Two brow models to move the same design onto a curved surface.
0601RL / 0.20 mm: 20 cartridges for individual fine strokes.
0803RL / 0.25 mm: 20 cartridges for grouped contours.
Ash Brown 10 ml for a lighter brow-colour study.
Pink 10 ml for a pink lip-colour study on the practice model.
100 pigment rings to keep working colours separate.
Use the raised contour to follow the lip shape and compare the two sides of your design. Work in short sections so you can see where a line begins, changes direction and meets the next section. The surrounding surface gives you space to rehearse hand support while the lip volume changes the angle from which you view the working point.
Light, Medium and Dark Skin Tone options change the background against which you inspect your marks. Choose the background you want to work on and keep it consistent when comparing repeated attempts. The raised lip geometry remains the focus of the exercise.
Begin on a flat A4 sheet when you want to compare line direction and spacing side by side. Move the same short sequence onto this model when the contour and working position become the task. Keeping the exercise familiar lets you focus on what the shaped surface adds.
Start with the flat A4 practice sheetChoose a lip model when outline and curved placement are the next skills you want to practise. Select the model option above.
Choose one short exercise and keep your setup consistent. Compare the marks and your hand position before changing the next part of the exercise.